External mounting Auto-Magic filter
The Auto-Magic filter was designed for digital compact cameras, but works equally well on video and all digital cameras. The external mounting filter is available in many standard sizes and in multiple mounts (screw on, slot in, flip, push on). And even if you think your camera cannot take one of our sizes have a look at these adaptors (a must see for Canon users). There are details of the sizes we supply on the buy page, but if there is not a solution for your camera - the internal mounting Auto-Magic should have you covered.
The Auto-Magic filter can work in two ways. You can either use it with the with the camera’s default automatic white balance and exposure, giving you vibrantly coloured images with point and shoot simplicity. Or you can use it with manual (custom) white balance giving you much more control and the ability to shoot images over a wider depth range. Most users start using the filter in fully auto mode and then switch over to using it with manual white balance. All five images below were taken with the Auto-Magic filter: two were taken with Auto white balance and three with manual white balance.
The fact that this filter is designed to work without manual white balance makes it highly suited for use with cameras without this feature. For example, we recommend the internal mounting Auto-Magic as an underwater filter for the GoPro HDV video (note that the GoPro needs a specialist housing to focus underwater).
In short, the Auto-Magic delivers great colours without the risk of backscatter. The before and after images on this page show the effect of adding the Auto-Magic filter while on Auto white balance and Auto Exposure. You can buy the Auto-Magic here.
The Auto-Magic filter is also perfect for shooting movies with your compact camera, where a flash or a strobe cannot be used. All compact cameras offer movie functions and the Auto-Magic allows you simply switch between photography and videography during a dive. This 1 minute movie of from West Papua was shot on a Panasonic FX01 compact camera by Peter using a Magic filter:
Another advantage of switching off your flash and shooting stills with a Magic Filter is that it will make your battery last longer and will also reduce the likelihood of your housing steaming up (which is caused by the heat produced by the flash firing).
The external mounting Auto-Magic filter does not just have to be used on compacts. Digital SLR users may prefer the hard wearing 3mm thick filter for use on their lenses inside the housing (note that original Magic and Green Water Magic are only available as gels).
The Auto-Magic filter works particularly well with wide angle accessory lenses, for scenic and diver photography. The filter is designed for relatively shallow diving in sunny tropical conditions. On Auto white balance it works best between 3m and 10-12m (9-35/40ft) depending on the camera. I tend to shoot the camera on manual white balance, and I find I can shoot it down to 18m with my Fuji compact. Deeper than this depth the colours in the images begin to slowly fade back to a natural blue look. It is less suited to fast moving fish, which may blur.
Most of the time the filter will give you pleasing images straight from the camera, and if it doesn’t you can usually sort them out by using automated functions such as “auto-color” in Photoshop or “Enhance” in iPhoto. Filter photography isn’t perfect for every dive, obviously it doesn’t work at night! We usually recommend that you do one filter dive and then one dive in flash to build a collection of photos that each technique can give you. Have a look at the tips section of this website for advice on how to shoot with filters.
The Auto-Magic filter was designed for digital compact cameras, but works equally well on video and all digital cameras. The external mounting filter is available in many standard sizes and in multiple mounts (screw on, slot in, flip, push on). And even if you think your camera cannot take one of our sizes have a look at these adaptors (a must see for Canon users). There are details of the sizes we supply on the buy page, but if there is not a solution for your camera - the internal mounting Auto-Magic should have you covered.
The Auto-Magic filter can work in two ways. You can either use it with the with the camera’s default automatic white balance and exposure, giving you vibrantly coloured images with point and shoot simplicity. Or you can use it with manual (custom) white balance giving you much more control and the ability to shoot images over a wider depth range. Most users start using the filter in fully auto mode and then switch over to using it with manual white balance. All five images below were taken with the Auto-Magic filter: two were taken with Auto white balance and three with manual white balance.
The fact that this filter is designed to work without manual white balance makes it highly suited for use with cameras without this feature. For example, we recommend the internal mounting Auto-Magic as an underwater filter for the GoPro HDV video (note that the GoPro needs a specialist housing to focus underwater).
In short, the Auto-Magic delivers great colours without the risk of backscatter. The before and after images on this page show the effect of adding the Auto-Magic filter while on Auto white balance and Auto Exposure. You can buy the Auto-Magic here.
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 These images (straight from the camera) show the effect of the Auto-Magic filter. All these images are shot with Olympus compact digtial cameras set on Auto Exposure and Auto White Balance (the default settings). The only difference between the before and after is the addition of the Auto-Magic filter. Isn't it time you gave your pictures a bit of Magic? ŠAM. |
The Auto-Magic filter is also perfect for shooting movies with your compact camera, where a flash or a strobe cannot be used. All compact cameras offer movie functions and the Auto-Magic allows you simply switch between photography and videography during a dive. This 1 minute movie of from West Papua was shot on a Panasonic FX01 compact camera by Peter using a Magic filter:
Another advantage of switching off your flash and shooting stills with a Magic Filter is that it will make your battery last longer and will also reduce the likelihood of your housing steaming up (which is caused by the heat produced by the flash firing).
The external mounting Auto-Magic filter does not just have to be used on compacts. Digital SLR users may prefer the hard wearing 3mm thick filter for use on their lenses inside the housing (note that original Magic and Green Water Magic are only available as gels).
The Auto-Magic filter works particularly well with wide angle accessory lenses, for scenic and diver photography. The filter is designed for relatively shallow diving in sunny tropical conditions. On Auto white balance it works best between 3m and 10-12m (9-35/40ft) depending on the camera. I tend to shoot the camera on manual white balance, and I find I can shoot it down to 18m with my Fuji compact. Deeper than this depth the colours in the images begin to slowly fade back to a natural blue look. It is less suited to fast moving fish, which may blur.
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| Both of these images were taken with
the Auto-Magic filter WITHOUT strobes or the internal flash. You can
see more in the gallery. Below is a more recent before and after shot take without and with the AutoMagic Filter using a Canon S90 camera. Both on Auto WB. |
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Most of the time the filter will give you pleasing images straight from the camera, and if it doesn’t you can usually sort them out by using automated functions such as “auto-color” in Photoshop or “Enhance” in iPhoto. Filter photography isn’t perfect for every dive, obviously it doesn’t work at night! We usually recommend that you do one filter dive and then one dive in flash to build a collection of photos that each technique can give you. Have a look at the tips section of this website for advice on how to shoot with filters.
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